LIVE REVIEW: Leith Ross at Stable Hall

 

Photo Courtesy of Leith Ross

SAN ANTONIO, TX | STABLE HALL | NOVEMBER 15, 2025 | WRITTEN BY AVERI VILLANUEVA

After touring through Dallas, Houston, and Austin on their 2025 U.S. tour, Leith Ross brought their quietly powerful indie-folk to San Antonio’s Stable Hall on November 15th, 2025. The Canadian singer-songwriter, known for their delicately confessional lyrics and ethereal voice, is fresh off the release of their second studio album, I Can See the Future, a deeply introspective body of work that has drawn fans in with its raw honesty. Joining Ross for their Stable Hall debut were openers Annika Bennett and Noa Jamir.

Jamir opened the night with a captivating set; her unique voice and simple duo setup with her guitarist created an intimate start to the show. She paused to thank the crowd and shared how grateful she was to be performing alongside Ross and Bennett. Soon after, Bennett followed with an immediate shift in energy, stepping into red lighting and starting with “Big House On A Mountain” before greeting the crowd with a warm, “What’s up, San Antonio?” She joked about visiting plenty of Texas cities—and not loving all of them—but said San Antonio stood out. Bennett talked about her new EP Triple Shooting Star, proudly noting she wrote and produced it herself, then moved into the song “F**k Up.” She opened up about going through a breakup earlier this year, admitting she feels everything “times ten,” adding a relatable honesty to her set.

 As chatter amongst the crowd began to die down, the lights soon dimmed, and the room tightened with anticipation. Fans edged closer to the stage, whispering, adjusting their spots, waiting for the moment Ross would finally take the stage. When the curtain rose at last, a surge of excitement swept through the crowd as they stepped into the soft glow of the stage lights. They opened the show with the song “Point of View,” a gentle, thoughtful number that immediately set the emotional tone for the night. The soft build and reflective lyrics really drew the crowd in. After a warm smile and a brief greeting to the crowd, thanking them for being there, they transitioned into “Treasure” as the second song of the night. The layering of the delicate guitar tones with their vocals felt both vulnerable and wholehearted. It was a smooth shift between the two songs, and a great way to start the night.

After wrapping up their third song of the night, “Stay,” Ross shifted into a more personal note. Moving the mic stand closer to the edge of the stage, they set up for “Terrified,” a track they explained is all about facing fears. They joked about how they’ve been trying to ditch their guitar more on this tour—something that’s been “notoriously very hard” for them, but this felt like the perfect song to push themselves a bit. The track carried a more upbeat pulse, still slow and steady but with a lift that made the room feel a bit lighter. As Ross began moving around the stage, dancing and interacting with the crowd now that they were closer, the moment hit more deeply. The song's theme, paired with watching Ross step outside their comfort zone in real time, felt unexpectedly personal. It reminded me of the fears I want to face in my own life, making that part of the show feel especially close and grounding—definitely a new favorite song of mine. 

As the night continued, they moved through songs like “Home” and “I Will,” before opening the floor to fan requests—a moment that eventually led them to perform the deeply loved track “Music Box.” The crowd swayed gently through each song, some holding loved ones close, others just letting themselves fall into the moment. Between tracks, they shared a bit about their day in San Antonio, laughing as they described how they “indulged in the full San Antonio experience,”: trying local spots, grabbing a fruit cup with Tajín, and picking up empanadas while exploring the city's river walk. It added a warm, personal touch to the set, making the room feel not just like a show, but a shared evening. As the pace of the night finally began to wind down, they played “(You) On My Arm”—a crowd favorite and one of my personal favorites—before beginning the encore with a playful introduction: “This next song is for gay people.” A huge cheer erupted across the venue as the opening notes of their most popular track, “We’ll Never Have Sex,” filled the room. As the final chords rang out, Ross shouted a heartfelt thank you to the crowd, telling us how much they loved us before offering one last goodbye, leaving everyone, including myself, with early signs of post-concert depression. 

In the end, Ross delivered a phenomenal and deeply personal performance—one that felt less like a traditional concert and more like a good friend pouring their heart out just a few feet away. Their softness, honesty, and quiet confidence made the night feel intimate in a way I have never experienced before. From the tender vocals to the vulnerable storytelling, every moment carried a sense of genuine connection between them and the crowd. It felt like the kind of show that lingers long after the stage lights come up, leaving you with good memories and plenty of songs to have stuck in your head for the rest of the week. Ross didn’t just perform; they created a space that felt safe, warm, and beautifully human. It was an unforgettable night that will stick with me for a long time.


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